Welcome to Your Guide to The Little Stranger!

Hi there! Welcome to your study notes for Sarah Waters’ eerie novel, The Little Stranger. Whether you love a good ghost story or find reading long novels a bit daunting, these notes are designed to help you master the text for your Edexcel AS Level exam.

Because this book is part of your Prose: The Supernatural section, we are going to look at it through a "spooky lens." We’ll explore how Sarah Waters uses ghosts, a decaying house, and a mysterious narrator to talk about bigger things like class, change, and the human mind. Don't worry if it seems a bit complex at first—we’ll break it down step-by-step!


1. Understanding the Setting: Hundreds Hall

In a supernatural novel, the setting is almost like a character itself. Hundreds Hall is a "stately home" in Warwickshire that is literally falling apart.

Why the House Matters

Imagine a once-famous celebrity who is now broke, wearing tattered clothes, and living in a mansion with no electricity. That is Hundreds Hall. It represents the decline of the upper class after World War II.

  • Decay: The gardens are overgrown, the rooms are dusty, and the family is selling off furniture to survive.
  • Isolation: The house is cut off from the rest of the world, making the supernatural events feel more intense and inescapable.
  • The Labyrinth: The house is full of confusing corridors and "dead" spaces, which is a classic Gothic convention (a standard "rule" or feature of the genre).

Quick Review: The house is a "physical manifestation" (a real-life version) of the family's crumbling status. If the house is dying, the family is dying too.

Key Takeaway: In supernatural literature, a haunted house often represents the "ghosts" of the past refusing to go away.


2. The Narrator: Dr. Faraday

Dr. Faraday is our eyes and ears in the story. However, he might not be telling us the whole truth. In literature, we call this an Unreliable Narrator.

Scientific vs. Supernatural

Faraday is a doctor. He believes in science, logic, and rationality. When weird things happen (like scratches on the walls or fires starting by themselves), he tries to find a medical or physical reason for them.

Analogy: Imagine you hear a loud "thump" upstairs. A supernatural believer says, "It’s a ghost!" Faraday is the person who says, "It’s just the central heating pipes expanding."

The "Class" Problem

Faraday grew up poor. His mother was once a servant at Hundreds Hall. Now he is a doctor, but he is still obsessed with the house and the Ayres family. Some critics think Faraday’s own resentment and desire might actually be what is "haunting" the house.

Did you know? Sarah Waters might be using Faraday to show that even "rational" people can be blinded by their own obsessions.

Key Takeaway: Faraday’s refusal to believe in ghosts makes the supernatural events even more frightening because he can't explain them away forever.


3. The "Supernatural" Elements

Since your exam section is "The Supernatural," you need to know exactly how the spooky stuff happens.

Poltergeist or Psychology?

A poltergeist is a "noisy ghost" that moves things and causes trouble. In the book, we see:

  • Scribblings: Strange marks appear on the walls.
  • The "Communication": Strange noises through the old speaking tubes (the old-fashioned intercoms).
  • The Fire: A mysterious fire breaks out in Roddy’s room.
  • Gyp the Dog: A friendly dog suddenly turns violent.

The "Subconscious" Theory

One way to look at the supernatural in this book is through psychology. Some characters believe that the "ghost" isn't a dead person, but actually dark energy created by the living characters' stress and unhappiness. This is often called psychokinesis.

Memory Aid: The 3 P’s of the Ghost
1. Past (The ghost of the dead sister, Susan).
2. Poltergeist (The physical destruction).
3. Psychological (The stress of the Ayres family and Faraday’s obsession).

Key Takeaway: The "Little Stranger" might not be a person at all, but the "ugly" feelings of the characters coming to life.


4. Historical Context: 1947 Britain

Context is just a fancy word for "what was happening in the real world when the story is set." 1947 is a very important year for this novel.

  • Post-War Poverty: Britain was broke after WWII. Everything was rationed (limited).
  • The NHS: The National Health Service was being born. This meant doctors like Faraday were working for the state, not just for rich families.
  • The Death of the Aristocracy: Big rich families (like the Ayres) were losing their power and their money. They couldn't afford to keep their big houses anymore.

Common Mistake to Avoid: Don't think of this as just a "spooky story." It’s a story about a changing world where the "old way" of doing things is dying out painfully.

Key Takeaway: The "supernatural" elements are a metaphor for the trauma of the war and the fear of social change.


5. Language and Structure

How does Sarah Waters make the book feel scary?

Building Tension

Waters uses a slow-burn technique. The supernatural events start small and "could be an accident," then they get bigger and more dangerous. This makes the reader feel as uneasy as the characters.

Sensory Imagery

She focuses on unpleasant senses:

  • The smell of dust and rot.
  • The sound of scratching behind the wallpaper.
  • The feeling of being watched in a dark hallway.

Quick Review Box:
Gothic Conventions used:
- Decaying mansion
- Unexplained noises
- Mental instability
- Family secrets
- A sense of "doom"


Final Summary: Putting it All Together

When you write your essay, remember these three main points:

1. The House is a symbol of the dying upper class.
2. Faraday is an unreliable narrator who tries to use science to explain the unexplainable.
3. The Supernatural might be real, or it might be the "shadow" of the characters' own minds and social anxieties.

Encouraging Note: Don't worry if you find the ending ambiguous (unclear). Waters wants you to wonder what really happened! That’s what makes a great supernatural story. Use that uncertainty in your exam to show you understand the complexity of the genre.