Read the following excerpt from 'Shuo Yuan' and answer the question.
Duke Ping of Jin asked Shi Kuang, 'I am seventy years old and wish to study, but I fear it is already too late.' Shi Kuang replied, 'Why not light a candle?' Duke Ping said, 'How can a minister joke with his ruler?'
What does Duke Ping's remark, 'How can a minister joke with his ruler', reflect about his mindset at that moment?
- A.Feeling insecure about his advanced age, believing Shi Kuang was mocking his incompetence.
- B.Misunderstanding Shi Kuang's metaphor of 'lighting a candle', thinking Shi Kuang was joking or teasing him.
- C.Testing Shi Kuang's loyalty to see if he dared to offer direct advice.
- D.Opposing ministers reading at night, viewing it as a neglect of duty.
Following the previous excerpt, Shi Kuang explained: 'To love learning in old age is like the brightness of a lit candle. How does the brightness of a lit candle compare to walking in the dark?'
Which of the following best translates the meaning of '炳燭之明,孰與昧行乎' in the context?
- A.How does walking with the illumination of a lit candle compare to groping forward in the dark?
- B.Is a faint candlelight not more dangerous than running alone on a pitch-black road?
- C.Since you hold a bright candle in your hand, why must you still walk blindly in the dark?
- D.Although lighting a candle brings brightness, who can guarantee not getting lost in the dark?
Read the following excerpt from a modern prose piece:
'The dim, yellowish street lamp at the entrance of the alley is like a tired night watchman, swaying its faint light in the wind and rain, attempting to detain every hurried homecomer with its warm orange glow.'
Which of the following analyses of the writing techniques and effects in this passage is the most accurate?
- A.It employs personification and simile to vividly portray the warmth and spiritual solace the street lamp brings to homecomers in the cold night rain.
- B.It employs metonymy and contrast to highlight the tragic plight faced by marginalized urban groups on a stormy night.
- C.It employs pun and parallelism to criticize the cold, hurried attitude of modern city dwellers who lack neighborly warmth.
- D.It employs symbolism and hyperbole to imply that the homecomers have developed an inescapable attachment to the clamorous outer world.
Read the following classical excerpt and answer the question.
'When King Zhao of Chu lost his kingdom, the sheep-butcher Yue fled. When the King regained his kingdom, he prepared to reward his followers, including Yue. Yue said, "Your Majesty lost the kingdom, which was not my fault, so I did not choose to die for it. Your Majesty regained the kingdom, which was not my achievement, so I do not seek a reward for it." The King said, "Force it upon him!" Yue said, "When Your Majesty lost the kingdom, I lost my butcher shop. When Your Majesty regained the kingdom, I regained my shop. My livelihood has already been restored, so what reward is there to receive?"'
Which moral doctrine of Mencius in 'Fish I Want' is best exemplified by Yue's refusal of the reward?
- A.The 'mind of shame and dislike' in refusing 'food handed out in contempt', preserving dignity and integrity even in poverty.
- B.Not losing one's original mind to material desires, valuing righteousness (righteousness) over unearned material gains (life/benefits).
- C.A gentleman should treat others with 'benevolence', preserving the rites of ruler-minister relationships and social order during chaotic times.
- D.'Previously would rather die than accept, now accepts for the beauty of mansions', pointing out that people easily lose their original mind in wealth.
A modern essayist describes their experience climbing Lion Rock in Hong Kong:
'When I finally stood on the peak of this nameless hill, looking down at the dense reinforced concrete forest below, the wild wind blew away the chest tightness accumulated for days. At that moment, I was no longer a busy gear in the city, but merged with the mountain, the wind, and the drifting clouds, forgetting time and forgetting my own existence.'
Which state of mind or relationship between self and nature described by Liu Zongyuan in 'First Visit to West Mountain' is most similar to the author's state of mind in this passage?
- A.'It was then that my travels truly began' — the awakening and reflection on past travels where one merely lingered in common landscapes.
- B.'The mind becomes concentrated, the body released, secretly uniting with all things' — the state of 'selflessness' where self and nature merge, forgetting physical constraints and worldly sorrows.
- C.'The soils of several prefectures lay beneath my seat' — the magnanimous and heroic spirit of looking down from a high position.
- D.'Pouring wine to the brim, falling into drunken stupor' — drowning sorrows in wine, escaping political reality in a semi-conscious state.
Question 6 · Table Completion
4 marksBased on Text 1 and Text 2, the two authors have different reflections on the disappearance of 'old city streets'. Complete the following contrast table: (i) Focus of Text 1: [ ] (2 marks); Emotional attitude of Text 1: Nostalgic and reluctant. (ii) Focus of Text 2: The inevitability of urban development; Emotional attitude of Text 2: [ ] (2 marks).
Question 7 · Contrast Tracking
4 marksAccording to Text 3 (Classical Prose), Duke Jing and Yanzi contrast in their thinking and actions when dealing with the drought. Complete the following contrast table: (i) Duke Jing's reaction/action: [ ] (2 marks); Duke Jing's character traits: Superstitious, anxious, lacking pragmatic foresight. (ii) Yanzi's reaction/action: Believes deities are useless, advocates opening granaries and helping citizens; Yanzi's character traits: [ ] (2 marks).
Question 8 · Short Answer / Value Explanation
3 marksIn the first unseen modern prose, the author spends significant length describing the "chipped ceramic bowl." Analyze how the author uses this object to project his nostalgia and affection for his grandfather.
Question 9 · Short Answer / Value Explanation
3 marksIn the second unseen modern prose, the protagonist gives up the bustling city life and chooses to return to his hometown to plant trees. What kind of life value does this choice reflect? Explain with reference to the text.
Question 10 · Short Answer / Value Explanation
3 marksAccording to the unseen classical prose, why did Master Meng refuse the money presented by the local governor? Explain with reference to his words and actions.
Question 11 · Short Answer / Value Explanation
3 marksSynthesizing the first and second unseen modern prose pieces, what common attitude do the "grandfather" in Text 1 and the "protagonist" in Text 2 demonstrate when facing the impact of modernization? Explain.
Question 12 · essay
4 marksIn Modern Prose (1), the author states that "only by guarding the backyard of one's soul amidst the clamor of fame and fortune can one maintain the dignity of character." How does this resonate with Mencius's concept of "not losing one's original mind" (不失其本心) in "Fish I Want"? Analyze with reference to both texts.
Question 13 · essay
4 marksIn Classical Prose (3), during the "tassel-breaking banquet," King Zhuang of Chu ordered all officials to break off their tassels and refused to investigate who harassed his consort. From the perspective of "Junzi" (exemplary person) in The Analects, how does King Zhuang's action demonstrate the character of a Junzi? Analyze with reference to the text and Confucian thoughts.
Question 14 · essay
4 marksModern Prose (1) advocates that "leaving blank spaces in life amidst busyness is the only way to reclaim the subjectivity of life," whereas Ah Keung, the protagonist in Modern Prose (2), believes that "to live is to run non-stop; pausing is a waste of life." Which life attitude do you agree with more? Discuss with reference to daily life.
Question 15 · essay
4 marksIn Modern Prose (2), the father quietly gives up his painting dream for his family and willingly works as an ordinary blue-collar worker; in Classical Prose (3), the minister Ji Liang speaks out frankly to the king despite personal danger during a national crisis. Both demonstrate a spirit of "responsibility-bearing." Which kind of responsibility do you find more commendable? Discuss your view.
Question 16 · essay
4 marksIn Modern Prose (1), the author laments that "people are often bound by labels bestowed by society (such as positions, fame, social status), thereby losing their true selves." What is the philosophical connection between this and Zhuangzi's advocacy of "no-self, no-merit, no-fame" (無己、無功、無名) in Carefree Journey? Elaborate with reference to both texts.
Question 17 · essay
4 marksIn Classical Prose (3), during a crisis, Zi Lu insisted that "a Junzi dies with his cap on" (君子死,冠不免). He was killed by enemy soldiers while tying his cap tassel. Some criticize Zi Lu as "foolishly clinging to rituals," while others praise him for "resolutely defending his dignity with righteous courage." Based on the Confucian views on "Ritual" (禮) and "Righteousness" (義), which evaluation do you agree with? Analyze your stance.