Question 1 · Set Texts Short Answer
4.5 marksIn 'Fish for what I want', how does Mencius use the contrast between 'previously' (鄉為) and 'now' (今為) to explain why people lose their 'original mind' (本心) and accept 'ten thousand bushels' (萬鍾) of wealth? Analyze this with reference to the text.
Question 2 · Set Texts Short Answer
4.5 marksIn 'Sheng sheng man', the writer writes, 'On the parasol trees falls the fine rain, drip-drop, drip-drop in the dusk. This state of things, how can the single word "sorrow" express it all!' Analyze how the writer uses multi-sensory descriptions to elevate her sorrow to the utmost during dusk.
Question 3 · Set Texts Short Answer
4.5 marksIn 'Shi Shuo', Han Yu criticizes the contemporary scholar-officials for having double standards regarding choosing teachers for their children versus refusing to learn from teachers themselves. Analyze the specific details of this 'double standard' and Han Yu's commentary on it with reference to the text.
Question 4 · Set Texts Short Answer
4.5 marksIn 'Quanxue', Xunzi uses the metaphors of 'accumulating soil to form a mountain' and 'accumulating water to form a deep pool'. Analyze how these two metaphors support his argument on learning, and explain the learning attitude they emphasize.
Question 5 · Set Texts Short Answer
4.5 marksIn 'First Visit to West Mountain', how does Liu Zongyuan use the 'unique and outstanding' (特立) image of West Mountain to project his own noble character and find spiritual liberation? Analyze this with reference to the text.
Question 6 · Set Texts Short Answer
4.5 marksIn 'The Biographies of Lian Po and Lin Xiangru', Lin Xiangru demonstrates extraordinary strategy in the 'returning the jade intact to Zhao' episode. When he notices the King of Qin has no intention of giving up the cities, how does he use the strategy of 'retreating to advance' to reclaim the Jade of Heshi and resolve the crisis?
Question 7 · Open-ended
3.5 marksIn paragraph 1 of 'The Craftsmanship of Time', the author compares 'the busy downtown streets' to 'a rushing river with no destination'. Analyze how this metaphor expresses the author's view on modern urban life. (3.5 marks)
Question 8 · Open-ended
3.5 marksIn paragraph 3, the old watchmaker's action of 'meticulously wiping the gears' contrasts with the passersby outside 'frequently checking their mobile phones'. Explain the artistic effect of this contrast in the essay. (3.5 marks)
Question 9 · Open-ended
3.5 marksThe old artisan says, 'The hands of the clock may run slow, but life cannot be compromised.' (Paragraph 4) Based on the context, what attitude towards life does this statement reflect? (3.5 marks)
Question 10 · Open-ended
3.5 marksParagraph 5 describes 'the crisp sound of interlocking gears' and 'the creaking of the old wooden door'. How does the author use auditory description to create a specific atmosphere? Analyze this. (3.5 marks)
Question 11 · Open-ended
3.5 marksIn paragraph 6, the author mentions that 'every layer of rust is the patina of time'. What do 'rust' and 'patina' symbolize respectively? What view of time does this express? (3.5 marks)
Question 12 · Open-ended
3.5 marksSynthesizing the whole text, besides being the objects repaired by the old artisan, what symbolic meanings do the 'old clocks' carry? Identify two meanings and briefly explain them. (3.5 marks)
Question 13 · Open-ended
3.5 marksThe sentence in paragraph 7, 'Time is a straight line, but memory is a circle,' is deeply philosophical. Explain your understanding of this statement in relation to your own life experiences. (3.5 marks)
Question 14 · Open-ended
3.5 marksSome readers argue that the eighth paragraph, which describes 'the author bidding farewell to the old artisan, stepping out of the shop, and merging back into the bustling crowd', is redundant and should be deleted. Do you agree? Explain from both structural and thematic perspectives. (3.5 marks)
Question 15 · Open-ended
3.5 marksIn paragraph 9, the author mentions that 'slowness is sometimes a higher form of speed'. This statement seems contradictory but is not. Analyze the underlying truth of this statement. (3.5 marks)
Question 16 · Open-ended
3.5 marksAt the end of 'The Craftsmanship of Time', the author expresses respect for 'those things that remain unchanged amidst the passage of time'. Referencing or combining relevant thoughts from 'Fish is What I Want', explain how Mencius's views embody or support the author's spirit of 'safeguarding eternal values'. (3.5 marks)
Question 17 · Open-ended Question
3.5 marksAccording to the following excerpt, the author compares the 'old wardrobe' to 'an anchor intentionally left behind by time'. What is the purpose of this writing? Analyze with reference to the text. Excerpt: 'That old wardrobe standing in the corner, heavy and silent, seemed like an anchor intentionally left behind by time. No matter how tempestuous the world outside became, as long as one's fingertips touched that rough wood grain, a reassuring weight could be felt. It did not only hold out-of-season clothes, but also locked away my mother's youth of those years, and the fragments of our childhood already scattered in all directions.'
Question 18 · Open-ended Question
3.5 marksAccording to the following excerpt, why does the author describe this patch of wild grass as 'a silent exclamation mark'? Explain by integrating the content of the text from two perspectives: 'the living state of the wild grass' and 'the inspiration for city dwellers'. Excerpt: 'At the noisy crossroads, a patch of nameless wild grass actually peeked out from the concrete cracks. It possessed neither the sweet scent of lilies nor the delicate beauty of roses, yet amidst the exhaust fumes and dust of heavy traffic, it stubbornly unfurled that patch of green that was almost obstinate. This green color seemed out of place in the cold, gray city, yet it was incomparably striking, like a silent exclamation mark, driven straight into the blind spot of modern civilization.'
Question 19 · Classical Chinese Analysis & Comparison
3.125 marksIn 'Fish for what I want', Mencius proposes that 'life is also what I want; righteousness is also what I want. If I cannot have both, I will choose righteousness over life.' How does this relate to Confucius's view in 'On Benevolence, Duty, and the Gentleman' that 'A resolute scholar and a man of benevolence would not seek to live at the expense of injuring their benevolence. They will even sacrifice their lives to preserve their benevolence'? Compare the core moral demands of 'righteousness' (義) and 'benevolence' (仁) when one's life is threatened, and explain their common underlying belief about human nature.
Question 20 · Classical Chinese Analysis & Comparison
3.125 marksXunzi advocates in 'Encouraging Learning' that 'the gentleman learns broadly and examines himself three times daily, then his knowledge will be clear and his conduct without error.' On the other hand, Mencius warns in 'Fish for what I want' against 'losing one's original heart.' Analyze how Xunzi's emphasis on 'external learning and reflection' differs from or complements Mencius's focus on 'preserving the internal original heart' in achieving moral cultivation.
Question 21 · Classical Chinese Analysis & Comparison
3.125 marksIn 'Fish for what I want', Mencius employs the analogy of 'choosing bear's paw over fish' to illustrate 'choosing righteousness over life.' In 'Encouraging Learning', Xunzi uses analogies like 'indigo dye becoming bluer than the plant it came from' and 'ice becoming colder than water.' Compare the rhetorical strategies of these analogies in both texts, and explain how they make abstract philosophical concepts easier to comprehend for the reader.
Question 22 · Classical Chinese Analysis & Comparison
3.125 marksBoth Li Qingzhao's 'Sheng sheng man' and Li Bai's 'Drinking Alone under the Moon' depict a solitary figure drinking wine to cope with loneliness. However, their physical environments and ultimate emotional resolutions differ significantly. Compare how the external environment (e.g., wind, geese, flowers vs. moon, shadow) shapes their respective moods, and explain their different attitudes towards loneliness at the end of their poems.
Question 23 · Classical Chinese Analysis & Comparison
3.125 marksZhuangzi in 'Xiao Yao You' pursues the ultimate realm of 'having no reliance' (無待) to achieve absolute spiritual freedom. Tao Yuanming, in 'Drinking Wine (No. 5)', writes: 'When the mind is detached, one's place becomes remote.' Compare the spiritual freedom pursued by Zhuangzi with the inner peace attained by Tao Yuanming. How do their paths to spiritual liberation differ in terms of 'leaving the secular world' versus 'dwelling within it'?
Question 24 · Classical Chinese Analysis & Comparison
3.125 marksIn 'Biography of Lian Po and Lin Xiangru', Lin Xiangru explains his tolerance towards Lian Po: 'I put the country's urgent needs first and private grievances last.' In 'Memorial on Sending out the Troops', Zhuge Liang advises the young emperor to ensure 'the court and the chancellor's office are unified in law, with no differences in rewarding and punishing.' Analyze how both statesmen demonstrate the principle of 'prioritizing public interest over private concerns' (先公後私), and compare their different emphasis on 'personal tolerance' versus 'institutional rule of law' in maintaining state unity.
Question 25 · Classical Chinese Analysis & Comparison
3.125 marksFan Zhongyan states in 'Yueyang Tower' that ancient gentlemen of noble character 'did not delight in external things, nor did they lament for themselves' (不以物喜,不以己悲). Conversely, ordinary exiled poets changed their mood based on the weather and their personal fortunes. Connect this division to Mencius's concept of the 'original heart' (本心) and 'righteousness' (義). How does the 'ancient gentleman's' ability to remain steadfast regardless of external circumstances reflect Mencius's idea of 'not losing one's original heart'?
Question 26 · Classical Chinese Analysis & Comparison
3.125 marksIn 'On the Six States', Su Xun warns the Northern Song court against pacifying enemies through appeasement, arguing that 'submitting to invaders with territory is like fueling a fire with wood.' In 'Memorial on Sending out the Troops', Zhuge Liang outlines his geopolitical strategy of 'forming alliances with Sun Wu' and 'pacifying the southern border' to prepare for the Northern expedition. Compare these two strategic approaches to handling external threats, and evaluate how both essays emphasize the critical importance of 'proactive strategic initiative' rather than 'passive defense.'