English Literature (9675)

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Oxford AQA International AS Level の学習者向けの無料English Literature (9675)学習ノート。各章のリンクから、要点・例題・練習問題への導線にアクセスできます。

Aspects of dramatic tragedy

Place in literary texts

    Unit 1 Section A: Elizabethan and Jacobean tragedy

    • William Shakespeare - Othello

    • William Shakespeare - King Lear

    • William Shakespeare - Hamlet

    • Christopher Marlowe - Doctor Faustus (B text)

    • Thomas Middleton - The Changeling (from June 2028)

    • John Webster - The Duchess of Malfi

    Elements of crime and mystery In Elements

    • William Shakespeare - Macbeth

    • Samuel Taylor Coleridge - The Rime of Ancient Mariner

    • Robert Browning - The Laboratory, My Last Duchess, Porphyria’s Lover, The Patriot, The Pied Piper of Hamelin, The Confessional, Time’s Revenges, Count Gismond

    • Charles Dickens - Oliver Twist

    • Edgar Allan Poe - The Murders in the Rue Morgue, The Man of the Crowd, The Pit and the Pendulum, The Black Cat, The Tell-Tale Heart, The Purloined Letter, The Fall of the House of Usher

    • Robert Louis Stevenson - Dr Jekyll and Mr Hyde, The Body Snatcher, Markheim, A Lodging for the Night

    • Agatha Christie - The Murder of Roger Ackroyd

    • Qiu Xiaolong - Death of a Red Heroine

    • Kate Atkinson - When Will There be Good News?

    Unit 1 Section B: Later dramatic tragedies

    Unit 2 Section A: Place in prose texts

    • Joseph Conrad - Heart of Darkness

    • F. Scott Fitzgerald - The Great Gatsby

    • Chimamanda Ngozi Adichie - Americanah

    • Andrea Levy - Small Island

    • Aravind Adiga - Last Man in Tower

    • Kazuo Ishiguro - Remains of the Day

    • Emily Bronte - Wuthering Heights (from June 2028)

    • Elif Shafak - The Island of Missing Trees (from June 2028)

    Literary representations

    Unit 2 Section B: Place in poetry

    • William Wordsworth selection: Lines composed a few miles above Tintern Abbey, Nutting, A Narrow Girdle of Rough Stones and Crags, Michael, Composed Upon Westminster Bridge, Yarrow Unvisited, Daffodils, Elegaic Stanzas.

    • Robert Frost selection: Mending Wall, The Black Cottage, After Apple-Picking, The Wood-Pile, The Road Not Taken, Birches, “Out, Out –”, Stopping by Woods on a Snowy Evening, A Brook in the City, On Looking Up by Chance at the Constellation, Desert Places, An Unstamped Letter in Our Rural Mailbox.

    • Thomas Hardy selection: Neutral Tones, At an Inn, At a Lunar Eclipse, To an Unborn Pauper Child, The Darkling Thrush, The Self-Unseeing, Channel Firing, The Convergence of the Twain, The Going, After a Journey, Beeny Cliff, At Castle Boterel, Places, The Oxen, In Time of ‘The Breaking of Nations’.

    • Seamus Heaney selection: Mid-Term Break, Personal Helicon, The Peninsular, Requiem for the Croppies, Bogland, Anahorish, A New Song, The Tollund Man, Westering, North, Bog Queen, The Graubelle Man, Punishment, Act of Union, The Toome Road.

    • Imtiaz Dharker selection (from June 2028): The Haunted House, At the Lahore Karhai, Number 106, Waiting for Crossrail, Rapt, The City, Speech Balloon, London Bells, Meanwhile at the Irani Bakery, Passport Photo, Midnight Christmas Eve, Talisman, Digging up the Bones, Leaving Fingerprints, Bombil Bumia Bummalo.

    • Kathleen Jamie selection (from June 2028): The Sea House, Mr and Mrs Scotland are Dead, The Wishing Tree, Water Day, The Cave of the Fish, Pipistrelles, The Tree House, Bosegran, Forget it, Lochan, Hackit, The Galilean Moons, Moon, Glacial, The Hinds.

    Skills: Essay and set-text response

    • Passage-based response on Elizabethan and Jacobean tragedy (Unit 1 Section A)

    • Essay response on later dramatic tragedies (Unit 1 Section B)

    • Open-book prose essay: selecting and using quotation (Unit 2 Section A)

    • Poetry essay: form, structure and language (Unit 2 Section B)

    • Genre, significance and context in argument (AO1)

    • Authorial methods and literary terminology (AO2, AO3)

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