English Literature (9675) 試験対策

よくあるミス

1. 1high影響する配点: 10Unit 1 Section A Passage Analysis

   Analyzing the provided Section A passage in Unit 1 in complete isolation without connecting its dramatic significance to the play as a whole.

   回避方法: Use the local devices in the extract as a springboard to make meaningful, generalized links back to the overarching thematic trajectories, character development, and dramatic structure of the wider play.
2. 2high影響する配点: 15Literary Analysis & Essay Structure

   Relying heavily on descriptive narrative plot summary instead of analyzing authorial methods, writerly choices, and reader/audience response.

   回避方法: Treat characters as deliberate literary constructs designed to serve specific thematic functions. Structure paragraphs around the writer's craft, utilizing active verbs such as 'delineates,' 'critiques,' and 'symbolizes' to sustain focus on AO2.
3. 3medium影響する配点: 8Poetic and Dramatic Techniques

   Feature spotting: identifying structural or poetic devices (such as enjambment, caesura, or line breaks) without explaining their emotional or thematic effect.

   回避方法: Never state that a device is present without immediately explaining its function. Use the formula: 'The writer employs [device] in order to [effect/meaning], which ultimately prompts the reader/audience to [response/interpretation].'
4. 4medium影響する配点: 12Unit 2 Place in Literary Texts

   Providing vague, inaccurate references to studied texts in Unit 2, assuming that the open-book format guarantees an easy pass.

   回避方法: Even with access to clean copy texts, memorize precise key scenes and brief quotations beforehand so you can locate and cite specific linguistic, structural, and environmental evidence quickly during the exam.
5. 5medium影響する配点: 10Genre-Specific Frameworks

   Failing to frame essay discussions through the specific genre lens defined by the unit (e.g., tragedy for Unit 1, or crime/mystery for Unit 3).

   回避方法: Ensure that your thesis statements and analytical paragraphs explicitly draw upon the conventions of the target genre, exploring concepts like the tragic fall, hubris, restorative justice, or the psychology of the criminal world.