AQA IAS-Level · 試験対策

English Literature (9675) 試験対策

Ultimate exam strategy and revision package for Oxford AQA International AS Level English Literature (9675). This guide covers essential exam-day tactics, temporal planning, structural frameworks to satisfy equally-weighted AOs, and critical analysis methods to secure high-tier marks.

読了時間 5 分更新日: 2026年6月21日

試験の概要

試験数
2
満点
100
制限時間
4時間
出題形式
2
試験時間配点問題数配点比率出題形式
Unit 12時間50250%Extract-Based Essay, Discursive Essay
Unit 22時間50250%Discursive Essay, Comparative/Discursive Essay
評価段階
ABCDEU
電卓の規定

A calculator is not normally required for this subject.

  • AO1: Demonstrate understanding of the ways in which readers find meanings in texts, showing an understanding of genre, the significance of contexts, and the ways in which different interpretations can be found. (33.3%)
  • AO2: Analyse ways in which meanings are shaped in literary texts with close attention to authorial methods. (33.3%)
  • AO3: Express informed, personal and argued responses to literary texts, using appropriate concepts and terminology, and coherent, accurate writing. (33.3%)

過去問と採点基準にもとづいて作成(2023–2025)。

よくあるミス

  1. 1high影響する配点: 15Character Construct (AO2)

    Treating characters as real people with autonomous psychological lives instead of deliberate literary and dramatic constructs.

    回避方法: Use active, author-centered syntax (e.g., 'Shakespeare constructs Othello to demonstrate...' instead of 'Othello is jealous because...') to maintain focus on AO2 (authorial methods).
  2. 2high影響する配点: 10Unit 1 Section A: Elizabethan and Jacobean Tragedy

    Analyzing the printed extract in Unit 1 Section A in complete isolation, failing to connect its tragic significance to the rest of the play.

    回避方法: Use a 'macro-micro-macro' structure: frame how the extract's structural placement triggers or mirrors the overall tragic trajectory, and explicitly link close-reading observations to developments later in the tragedy.
  3. 3medium影響する配点: 8Dramatic Staging and Methods (AO2)

    Ignoring the performance and physical stage elements of dramatic plays (stage directions, physical props, light, sound, and staging) in Unit 1.

    回避方法: Explicitly quote and analyze non-verbal stage directions, props (like the handkerchief), sound cues, and visual spacing to treat the text as an active theatrical medium rather than passive narrative prose.
  4. 4high影響する配点: 12Unit 2 Section B: Poetry

    Creating unbalanced comparisons in Unit 2 Section B (Poetry) by focusing almost entirely on the named poem and treating the second poem as a superficial afterthought.

    回避方法: Structure your essay around comparative thematic arguments, devoting equal paragraph space and analytical depth to both the designated poem and your selected second poem.
  5. 5medium影響する配点: 10Unit 2: Place in Literary Texts

    Treating 'place' in Unit 2 merely as a passive, geographical background rather than a dynamic agent that shapes character psyche and theme.

    回避方法: Analyze how settings (such as the Valley of Ashes or Darlington Hall) act as symbolic reflections of class, socio-political decay, or the psychological imprisonment of the characters.
  6. 6high影響する配点: 10Essay Structure & Argumentation (AO1/AO3)

    Failing to write clear, structured introductions with an explicit thesis statement, leading to rambling, unstructured, and narrative-driven essays.

    回避方法: Always open your essay with a direct response to the prompt's key modifiers, establishing a clear line of argument (your thesis) that you will evaluate throughout.

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