CCEA A-Level · 試験対策

Music 7010 試験対策

A2 Music's aural paper rarely catches you mishearing something. It catches you under-specifying what you heard: an instrument family instead of the instrument, a cadence's feel instead of its actual chords. Here is where the 70 marks sit.

読了時間 3 分更新日: 2026年9月3日

試験の概要

試験数
1
満点
70
制限時間
1時間 15分
出題形式
3
試験時間配点問題数配点比率出題形式
Paper 1: Test of Aural Perception1時間 15分704317.5%Short answer / aural identification, Multiple choice / circling, Descriptive aural analysis
評価段階
A*ABCDEU
電卓の規定

This is a non-calculator subject. Paper 1 tests aural perception and analysis skills only; no calculator is required or permitted.

  • AO1: AO1: interpret musical ideas with technical and expressive control and an understanding of style and context (27.5%)
  • AO2: AO2: create, develop and refine musical ideas with technical control and expressive understanding, making creative and coherent use of musical devices, conventions and resources (27.5%)
  • AO3: AO3: use analytical, evaluative and reflective skills to make critical judgements about music (31%)
  • AO4: AO4: demonstrate knowledge and understanding of musical elements, musical contexts and musical language (14%)

過去問と採点基準にもとづいて作成（2025）。

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よくあるミス

  1. 1medium影響する配点: 1Short-answer identification

    Listing several contradictory answers to a question that wants a single response.

    回避方法: Commit to one answer. Multiple contradictory answers forfeit the mark rather than earning credit for whichever one is right.
  2. 2medium影響する配点: 1Timbre and instrumentation

    Naming a general instrument family, such as brass, instead of the specific instrument, such as cornet or trumpet.

    回避方法: Name the precise instrument you hear, not its family.
  3. 3medium影響する配点: 1Cadences

    Confusing plagal (IV to I) cadences with imperfect or interrupted cadences.

    回避方法: Check the actual chord pair at the cadence point rather than relying on how conclusive it sounds.
  4. 4medium影響する配点: 2Stylistic and chronological placement

    Placing an unfamiliar piece in the wrong historical period by not correlating specific scoring features, such as continuo, with the correct date range.

    回避方法: Match concrete scoring evidence, continuo, orchestration size, instrumentation, to a period before committing to a date range.
  5. 5low影響する配点: 1Vocal genres

    Treating recitative and aria as interchangeable terms.

    回避方法: Distinguish them: recitative is speech-like and rhythmically free, aria is a structured, melodic set piece.
  6. 6medium影響する配点: 2Accompaniment description

    Answering multi-mark accompaniment questions with generic terms like dynamics or speed instead of specific instrumental voicing or rhythmic detail.

    回避方法: Name the specific instrumental voicing, rhythmic motif, or doubling you hear in the accompaniment.
  7. 7medium影響する配点: 2Tonality and modulation

    Misidentifying key relationships, such as modulation to the dominant or relative major, by naming an unrelated key instead.

    回避方法: State the new key's actual relationship to the tonic, dominant or relative major/minor, rather than naming any plausible-sounding key.
  8. 8low影響する配点: 1Musical devices

    Omitting the name of a musical device, sequence, anacrusis, pedal point, ostinato, from short-answer prompts that ask for it.

    回避方法: Keep a checklist of device names and scan the extract against it before finalising a short answer.

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