題目 1 · essay
25 分Read the following passage from Act 5, Scene 2 of *Othello* and answer the question that follows:
**OTHELLO**
It is the cause, it is the cause, my soul,—
Let me not name it to you, you chaste stars!—
It is the cause. Yet I'll not shed her blood;
Nor scar that whiter skin of hers than snow,
And smooth as monumental alabaster.
Yet she must die, else she'll betray more men.
Put out the light, and then put out the light:
If I quench thee, thou flaming minister,
I can again thy former light restore,
Should I repent me: but once put out thy light,
Thou cunning'st pattern of excelling nature,
I know not where is that Promethean heat
That can thy light relume. When I have pluck'd the rose,
I cannot give it vital growth again,
It must needs wither: I'll smell it on the tree.
*[Kissing her]*
Ah, balmy breath, that dost almost persuade
Justice to break her sword! One more, one more.
Be thus when thou art dead, and I will kill thee,
And love thee after. One more, and that's the last:
So sweet was ne'er so fatal. I must weep,
But they are cruel tears: this sorrow's heavenly;
It strikes where it doth love. She wakes.
Explore the significance of the aspects of dramatic tragedy in this passage in relation to the play as a whole.
**OTHELLO**
It is the cause, it is the cause, my soul,—
Let me not name it to you, you chaste stars!—
It is the cause. Yet I'll not shed her blood;
Nor scar that whiter skin of hers than snow,
And smooth as monumental alabaster.
Yet she must die, else she'll betray more men.
Put out the light, and then put out the light:
If I quench thee, thou flaming minister,
I can again thy former light restore,
Should I repent me: but once put out thy light,
Thou cunning'st pattern of excelling nature,
I know not where is that Promethean heat
That can thy light relume. When I have pluck'd the rose,
I cannot give it vital growth again,
It must needs wither: I'll smell it on the tree.
*[Kissing her]*
Ah, balmy breath, that dost almost persuade
Justice to break her sword! One more, one more.
Be thus when thou art dead, and I will kill thee,
And love thee after. One more, and that's the last:
So sweet was ne'er so fatal. I must weep,
But they are cruel tears: this sorrow's heavenly;
It strikes where it doth love. She wakes.
Explore the significance of the aspects of dramatic tragedy in this passage in relation to the play as a whole.
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解題
### Analysis of the Extract in Relation to Tragic Aspects:
1. **The Tragic Hero's Self-Deception and Moral Blindness (Hamartia)**:
* Othello repeatedly refers to "the cause" to justify his actions, attempting to elevate a crime of passion and jealousy into a ritualistic act of cosmic justice. By refusing to name Desdemona's alleged crime to the "chaste stars," he maintains a false sense of moral righteousness.
* The phrase "else she'll betray more men" shows how Othello has internalized Iago's misogynistic framing of Desdemona as a fatal temptress. It portrays his violence as an altruistic act for the benefit of mankind, highlighting the tragic irony of his manipulation.
2. **The Tension Between Love and Destructive Urges**:
* The passage relies heavily on aesthetic and romanticized imagery ("whiter skin of hers than snow," "smooth as monumental alabaster"). Othello continues to idolize Desdemona's physical beauty even as he prepares to destroy her, illustrating the deep psychological fracture within the tragic protagonist.
* The transition from "I will kill thee, / And love thee after" captures the grotesque paradox of his tragedy: he believes that only through death can her purity (and his love for her) be preserved in an unchanging, statue-like state.
3. **Metaphors of Irreversibility and Fate**:
* The central conceit of "Put out the light, and then put out the light" juxtaposes the easily reignited candle with the irreplaceable spark of human life ("Promethean heat"). This underscores the absolute finality of the tragedy that is about to occur.
* The metaphor of the plucked "rose" emphasizes Desdemona's vulnerability and the unnatural, premature termination of her life. Othello's sorrow ("cruel tears," "this sorrow's heavenly") mirrors the classic tragic tension of a hero compelled by an agonizing, self-imposed duty that he cannot escape.
### Connections to the Play as a Whole:
* **The Linguistic Shift**: This soliloquy marks a return to the elevated, poetic register ("the Othello music") that characterized his speech in Acts 1 and 2, contrasting sharply with the fragmented, prose-based ravings of his Act 4 breakdown. However, this beauty of language is now corrupted, serving to cloak murder in the guise of sacred sacrifice.
* **The Bed as a Tragic Symbol**: The setting of the bedchamber, which should be the locus of marital intimacy, becomes a sacrificial altar. This subversion of the marriage bed represents the ultimate triumph of Iago's malice.
* **The Resolution of Tragedy**: This moment represents the quiet before the final storm. Immediately following this, Desdemona's awakening, her desperate pleas for life, and Othello's sudden bursts of anger break the serene illusion of justice, leading directly to the tragic catastrophe and Othello's subsequent agonizing realization of the truth (anagnorisis).
1. **The Tragic Hero's Self-Deception and Moral Blindness (Hamartia)**:
* Othello repeatedly refers to "the cause" to justify his actions, attempting to elevate a crime of passion and jealousy into a ritualistic act of cosmic justice. By refusing to name Desdemona's alleged crime to the "chaste stars," he maintains a false sense of moral righteousness.
* The phrase "else she'll betray more men" shows how Othello has internalized Iago's misogynistic framing of Desdemona as a fatal temptress. It portrays his violence as an altruistic act for the benefit of mankind, highlighting the tragic irony of his manipulation.
2. **The Tension Between Love and Destructive Urges**:
* The passage relies heavily on aesthetic and romanticized imagery ("whiter skin of hers than snow," "smooth as monumental alabaster"). Othello continues to idolize Desdemona's physical beauty even as he prepares to destroy her, illustrating the deep psychological fracture within the tragic protagonist.
* The transition from "I will kill thee, / And love thee after" captures the grotesque paradox of his tragedy: he believes that only through death can her purity (and his love for her) be preserved in an unchanging, statue-like state.
3. **Metaphors of Irreversibility and Fate**:
* The central conceit of "Put out the light, and then put out the light" juxtaposes the easily reignited candle with the irreplaceable spark of human life ("Promethean heat"). This underscores the absolute finality of the tragedy that is about to occur.
* The metaphor of the plucked "rose" emphasizes Desdemona's vulnerability and the unnatural, premature termination of her life. Othello's sorrow ("cruel tears," "this sorrow's heavenly") mirrors the classic tragic tension of a hero compelled by an agonizing, self-imposed duty that he cannot escape.
### Connections to the Play as a Whole:
* **The Linguistic Shift**: This soliloquy marks a return to the elevated, poetic register ("the Othello music") that characterized his speech in Acts 1 and 2, contrasting sharply with the fragmented, prose-based ravings of his Act 4 breakdown. However, this beauty of language is now corrupted, serving to cloak murder in the guise of sacred sacrifice.
* **The Bed as a Tragic Symbol**: The setting of the bedchamber, which should be the locus of marital intimacy, becomes a sacrificial altar. This subversion of the marriage bed represents the ultimate triumph of Iago's malice.
* **The Resolution of Tragedy**: This moment represents the quiet before the final storm. Immediately following this, Desdemona's awakening, her desperate pleas for life, and Othello's sudden bursts of anger break the serene illusion of justice, leading directly to the tragic catastrophe and Othello's subsequent agonizing realization of the truth (anagnorisis).
評分準則
### Marking Descriptors (Total: 25 Marks)
* **Level 5 (21–25 marks) - Exceptional/Excellent**:
* Perceptive and critical analysis of the extract's dramatic and poetic qualities.
* Sophisticated exploration of tragic concepts (e.g., hamartia, pathost, aestheticization of violence, and cosmic justice) with highly integrated textual references.
* Excellent understanding of how this scene serves as the climax of the play's tragic trajectory.
* Fluent, academically rigorous written style.
* **Level 4 (16–20 marks) - Consistent/Clear**:
* Clear, purposeful analysis of the extract and its structural role in the play.
* Good understanding of key aspects of tragedy, such as internal conflict and the symbolic use of light/darkness.
* Solid connection made between the language of the soliloquy and Othello’s characterization elsewhere in the play.
* **Level 3 (11–15 marks) - Explanatory/Broad**:
* Competent explanation of what is happening in the extract and some discussion of Othello's motives.
* Identifies basic tragic features (e.g., sadness, death, regret) but analysis may rely on plot summary rather than deep linguistic exploration.
* Broad, structured response with relevant points, though some arguments may be generalized.
* **Level 2 (6–10 marks) - Fragmentary/Basic**:
* Relies heavily on paraphrasing the extract rather than analyzing literary or dramatic techniques.
* Weak or superficial links to the broader aspects of tragedy.
* Unstructured or repetitive writing.
* **Level 1 (1–5 marks) - Minimal/Inaccurate**:
* Extremely limited comprehension of the text or the prompt.
* Little to no reference to the context of the play or the conventions of tragedy.
* **Level 5 (21–25 marks) - Exceptional/Excellent**:
* Perceptive and critical analysis of the extract's dramatic and poetic qualities.
* Sophisticated exploration of tragic concepts (e.g., hamartia, pathost, aestheticization of violence, and cosmic justice) with highly integrated textual references.
* Excellent understanding of how this scene serves as the climax of the play's tragic trajectory.
* Fluent, academically rigorous written style.
* **Level 4 (16–20 marks) - Consistent/Clear**:
* Clear, purposeful analysis of the extract and its structural role in the play.
* Good understanding of key aspects of tragedy, such as internal conflict and the symbolic use of light/darkness.
* Solid connection made between the language of the soliloquy and Othello’s characterization elsewhere in the play.
* **Level 3 (11–15 marks) - Explanatory/Broad**:
* Competent explanation of what is happening in the extract and some discussion of Othello's motives.
* Identifies basic tragic features (e.g., sadness, death, regret) but analysis may rely on plot summary rather than deep linguistic exploration.
* Broad, structured response with relevant points, though some arguments may be generalized.
* **Level 2 (6–10 marks) - Fragmentary/Basic**:
* Relies heavily on paraphrasing the extract rather than analyzing literary or dramatic techniques.
* Weak or superficial links to the broader aspects of tragedy.
* Unstructured or repetitive writing.
* **Level 1 (1–5 marks) - Minimal/Inaccurate**:
* Extremely limited comprehension of the text or the prompt.
* Little to no reference to the context of the play or the conventions of tragedy.